Titlebook: Gender and Ventriloquism in Victorian and Neo-Victorian Fiction; Passionate Puppets Helen Davies Book 2012 Palgrave Macmillan, a division o

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符合國(guó)情

plores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.978-1-349-34477-2978-1-137-27116-7

蠟燭

plores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.978-1-349-34477-2978-1-137-27116-7

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https://doi.org/10.1057/9781137396969 outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical grotesques’ (Wilde, 2003, p. 867). The speaker continues:

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Queering the Dummy/ Ventriloquist Dichotomy: Oscar Wilde and Ventriloquial Influence, outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical grotesques’ (Wilde, 2003, p. 867). The speaker continues:

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Bandar al-Hajjar,John R. Presleye are moments when the narrative self-consciously acknowledges the process of the textual construction of ‘voice’. Verena has been invited to speak on the topic of women’s rights at the home of Mrs Burrage and although we are party to a brief example of her rhetoric, her performance is abruptly interrupted by the narrator:

影響深遠(yuǎn)

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Introduction: The Victorians for Dummies? Talking Back to the Nineteenth Century,se multiple implications of ‘talking back’. Neo-Victorian fiction suggests that there is a palpable desire to respond to the Victorians in some way, to answer back to the society and culture of this era.