Titlebook: Gender and Power in Shrew-Taming Narratives, 1500-1700; David Wootton (Anniversary Professor of History),G Book 2010 Palgrave Macmillan, a

獨(dú)輪車

flammable

艱苦地移動

hallow

傲慢人

Intact

籠子

Engendering Shrews: Medieval to Early Modern,e category. The widow calls Katherine a ‘shrew,’ and the edgy banter that follows is only broken up by a husbandly intervention that recasts the wives’ countering as friendly homosocial competition between men:

faucet

不在灌木叢中

Financial Services and the UK Economy, there is an analogous relationship between the taming of Kate — which involves training her to respond in ways that are perceived as ‘feminine’ — and the training of the apprentice actor who plays her. In these terms, what is interesting are the theatrical . in the shrew’s role, and in particular the training-functions of its . elements.

獨(dú)行者

Building Spring 2 Enterprise Applicationsirection that characterize nearly everything she says and does. Her silent quality, however, as F1 conveys it, is an essential element of the intrigue through which Shakespeare joins her to Lucentio, an action that complements the taming of her sister more profoundly than the version of this action in the modern text.