Titlebook: Expressions of War in Australia and the Pacific; Language, Trauma, Me Amanda Laugesen,Catherine Fisher Book 2020 The Editor(s) (if applicab

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Conclusion: Languages of War,bout war but also how we experience war, how we use language to represent war, and how we grapple with the legacies of war. This conclusion briefly considers what perspectives can be gained from a consideration of the diverse discourses of war, what is offered by new methodologies and perspectives o

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978-3-030-23892-6The Editor(s) (if applicable) and The Author(s) 2020

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https://doi.org/10.1007/978-3-030-52836-2 with foreign countries and languages. These soldiers had to learn not just the language of the allies, but also that of the enemy. This chapter analyses how the enemy was portrayed in Australian and French trench publications, produced by and for soldiers, such as . magazine (1918–19), . (1916–18),

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Adam Zweifach,Markus Hoth,Richard S. Lewis large numbers of dead. The sensitive nature of such commemorative activity is underlined by historians’ tendency to call upon poetic language to do it justice, such as using myth to counteract the more arid language of academic scholarship. The Greek goddess of memory, Mnemosyne, is sometimes invok

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Rebecca E. Day,Ieva Palubeckaiteure. It does so by examining . (1928), Edmund Blunden’s semi-fictionalised novel of his military service during the First World War. Blunden believed he was haunted all his life by war and saw his novel as a compulsive yet failed effort to make sense of his disturbing and fragmentary experiences. Re

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