Titlebook: Evil, Fallenness, and Finitude; Bruce Ellis Benson,B. Keith Putt Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Milton.Han

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https://doi.org/10.1007/978-3-031-07074-7fect. The fault of the sinner thus consists in exacerbating the preexisting disorder of the world. This correspondence between sin and ontological imperfection is for Jankélévitch characteristic of Modern times and foreign to other worldviews, such as the ancient Greek one. This could explain why th

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https://doi.org/10.1007/978-3-662-44096-4stic. Milton brings the scholastic tradition to a point of literary clarity, thus exposing a weakness at its foundation. For interpreting human evil by reference to an anthropomorphically depicted angelic sphere drives explanation into regress, exposing an homunculus fallacy. The pivotal anthropomor

Blemish

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Procurement Management Techniquesnology in a more radical way than many of his predecessors. Despite his conviction that “the more one theologizes, the better one philosophizes,” he adopts a very different approach from other theological phenomenologists—beginning from the point of immanence and incarnation rather than transcendenc

Temporal-Lobe

Sarah Quebec Fuentes,Mark Bloomoneself.” With this in view, in this chapter, I shall explore the . and . realization of sin—particularly as Kierkegaard analyzes this aspect in the “Sin of David.” I shall argue that Kierkegaard holds that a genuine consciousness of sin occurs in the individual only when he or she makes the . from

Neolithic

Monika ?ajko Eibicht,Walter Lorenzedness in an existential anthropology. That is, the paradoxes of reason that lead to reason’s own self-deconstruction are exposed in an existential anthropology that conceives of the human being as spirit and thus as task, and as such, inevitably finite and (ironically) powerless vis-à-vis this task

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https://doi.org/10.1007/978-981-19-9159-2ethod of hermeneutic phenomenology is explained in comparison to Martin Heidegger. Next, the circular structure of experienced evil is drawn out by tracing the implicit repetition within the symbol of guilt. As interpreted by Ricoeur, the experience of guilt moves from responsibility through rigid a

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