Titlebook: Ethnomusicology, Queerness, Masculinity; Silence=Death Stephen Amico Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024

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Street Cred and Locker Room Glances,space—render any acknowledgment of same-sex desire highly dangerous, capable of exposing the precarity of gendered identities as well as the asymmetrical power relationships structuring ethnographic research.

原來

Diverse People in Special Places,metaepistemic compulsions and prohibitions common to both spheres that require an acceptance of ‘positive thinking’, concomitantly and conversely constructing critique as the enemy of a ‘progress’ ultimately measured in relation to capital.

休閑

Non-fundamental Tones, or, the Pharmakon of Silence,lity, and the social. Silence is revealed as double-sided, a pharmokon—the poison of the silencing monologic, willingly withdrawn, becoming the remedy of self-silencing, a condition of pluriversality.

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Introduction: Silencing,ts an overview of the monograph’s main contention: that such silencing continues, in both overt and covert manners, within a disciplined, Western academic sphere. Taking the recent relationship between ethnomusicology and queerness as meriting not celebration but scrutiny, it is argued that both dis

債務

,‘This Is to Enrage You’, to same-sex desire: it is virtually non-existent in the discipline’s literature, and the erasure has generated no response, enraged or otherwise, within academia. Additionally, two themes animating ensuing discussions are presented. First, the field’s belated acceptance of ‘gender’ as a site of inq

繁忙

,We Don’t Need Another He(te)ro, centuries-long feminization of music in Western culture, anthropology and its methodology—fieldwork—are revealed as utilized in the creation of a specifically academic masculinity. However, while fieldwork is instrumental in the creation of one facet of masculinity (i.e., representation of a self m

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neutralize

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(No) Body/(No) Homo,gement of the material, experiencing, sensate/sensual body, an extraordinarily rich site for explorations of sex/uality, auditory expressive culture, and the social. Highlighting the extent to which the ideological/discursive (often wedded to identity and/or politics) results in a desexualization/de

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