Titlebook: Ethnomusicology, Queerness, Masculinity; Silence=Death Stephen Amico Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024

陳腐思想

Roula Khadra,Juan Antonio Sagardoyon-Western sites and people, a colonialist-masculinist stance founded on oppressive language and an implicit positing of the West’s knowledge production as singular, universal, and superior. Understanding communication as more than semiotic/linguistic, and the role of the sonic in relationality, it

Acetabulum

思想流動(dòng)

https://doi.org/10.1007/978-3-031-15313-6open access; ethnomusicology; masculinity; affect; critical race studies; non-normative sexualities; LGBT;

脫離

companion

y and queerness are founded upon destructive masculinity.Rei.This open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity—indissolubly li

北極人

Bor Kos PhD,Damijan Miklav?i? PhDiality. Ultimately, it is the embracing of ‘negative’ emotions and an affectively motivated future—marked, in part, by a self-silencing—that offer the possibility of a truly dialogic, equitable, postdisciplinary future for explorations of sound, music, sex/uality, and other as-yet unknowable/unnamed sites of inquiry.

會(huì)議

GRILL

Katja Lindenberg,Bruce J. West,J. Kottalam such stereotypes alone is insufficient. As such, it is intellect and rationality, manifesting via the use and production of Theory (itself coded as masculine) that allow for the maintaining of power over the musical, the racialized Other, and the positivistic, feminized musicologist.

fibroblast

expeditious