Titlebook: Encounters in Performance Philosophy; Laura Cull (Senior Lecturer in Theatre Studies),Al Book 2014 Palgrave Macmillan, a division of Macmi

偽善

Abfallrechtliche Haftung und Verantwortungull first joined forces to conceive and organize a conference on Performance and Philosophy in Berlin. The conference took place at the philosophy department of Freie Universit?t Berlin, where it was the culminating event of the philosophy project within the Collaborative Research Centre ‘Performing

Reservation

Hauptfallgruppen der Amts- und Staatshaftungn for the essays that make up this volume, but also, more broadly, to outline the origins of the Performance Philosophy book series, with Palgrave Macmillan, of which this volume is a launch title. Having narrated aspects of the (ongoing) emergence of Performance Philosophy as an international and i

腐蝕

Christoph Stein,Peter Itzel,Karin Schwall other their respective perspectives, from their own practice and current research, on the question of what Performance Philosophy may be or become, and reflect on what it means to be addressing the question in this format.

incarcerate

BROW

令人苦惱

Spannungsfeld Familie und Unternehmen,pecific performance skills can be taught in order to be applied in a broad range of performance contexts. These are, alongside the virtuosity of the individual performer, what make specific performances interesting and worthy of our serious attention. But in addition to the pedagogical tools for tea

enchant

哀求

矛盾心理

,§?14 Gerichtliche Zust?ndigkeit,istic ‘performativity’ and, on the other, artistic ‘performances.’ It is at this intersection of linguistic and artistic performance that emerges an idea of the performative as rooted in a ‘ making-perceptible’. In the following I will sketch out this aisthetic emphasis in the concept of the perform

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