Titlebook: Encounters in Performance Philosophy; Laura Cull (Senior Lecturer in Theatre Studies),Al Book 2014 Palgrave Macmillan, a division of Macmi

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Performance Philosophy — Staging a New Fieldn for the essays that make up this volume, but also, more broadly, to outline the origins of the Performance Philosophy book series, with Palgrave Macmillan, of which this volume is a launch title. Having narrated aspects of the (ongoing) emergence of Performance Philosophy as an international and i

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The Face and the Profileat restless life. In an effort to reconsider theatre from its origins, to question its most native essence, we had been rehearsing a play by Aeschylus. The precise sequence of events in those weeks is a bit of a blur,. but I seem to remember that after having experimented with some fragments of the

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The Gymnastics of Thought: Elsa Gindler’s Networks of Knowledgee German movement for ‘body reform’ and ., ‘life reform’, that in the early twentieth century propounded gymnastics as a way of exploring new kinds of thinking about bodily experience. What these women shared — to summarize very briefly — was an intention to draw together psychological feeling, bodi

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Connecting Performance and Performativity: Does It Work?istic ‘performativity’ and, on the other, artistic ‘performances.’ It is at this intersection of linguistic and artistic performance that emerges an idea of the performative as rooted in a ‘ making-perceptible’. In the following I will sketch out this aisthetic emphasis in the concept of the perform

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