Titlebook: Embodiment and Horror Cinema; Larrie Dudenhoeffer Book 2014 Larrie Dudenhoeffer 2014 Horror.film studies.cinema studies.body theory.affect

GRAVE

Hyperalgesia

Malcontent

鳴叫

,Grindhouse Ago-Go: Sounding the Collagenous Commons of Rob Zombie’s ,and genre mashup, making allusion to older horror films and incorporating dialogue from them into songs. The title for “More Human than Human,” for example, comes from the script for Ridley Scott’s . (1982), while the sample in it of a woman moaning in sexual ecstasy comes from the much more esoteri

RALES

Deceit

,The Alllusion: Intelligent Machines, Ethical Turns, and Oren Peli’s , Sloat) and Katie (Katie Featherston), a 20-something couple sharing a two-story San Diego tract house. In the film’s opening scene, Micah, who regards these visitations with skepticism, if not utter disbelief, meets Katie at the front door, exclaiming, “Kiss the camera!” He uses this digital camcor

Eviction

,“Little Children, It is the Last Time”: The Ovolutionary Trees of Lars Von Trier’s ,n the film? Its storyline seems to offer no overt clues, especially since it focuses on two characters, “He” (Willem Defoe) and “She” (Charlotte Gainsbourg), a couple recovering from the accidental death of their infant son Nick. He, an exposure therapist, resolves to take She, an ecofeminist workin

neurologist

Invertebrate

978-1-349-48753-0Larrie Dudenhoeffer 2014

想象