Titlebook: Embodiment and Horror Cinema; Larrie Dudenhoeffer Book 2014 Larrie Dudenhoeffer 2014 Horror.film studies.cinema studies.body theory.affect

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,Spectral Filtering: Smart Television on the “Silver Screen” in Gore Verbinski’s ,a and Richard Morgan. Samara, able to induce terrifying visions in others, drove Anna insane; moreover, Rachel, over the course of the investigation, discovers that Anna threw Samara down a well near the cabin from which the videotape came.

正論

or." Changing the emphasis from the contents of the film to the "organicity" of its visual and affective registers, he addresses the application of psychoanalysis, phenomenology, object-ontology, and cyborgism.978-1-349-48753-0978-1-137-40496-1

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Darkness into Light: An Introduction to the Four Tissue Types of Horror Cinema,trivial, “innocent or apparently meaningless.”. He takes this analogy further so as to define horror films as “collective nightmares,” as reactions to unconscious desires that, in a culture that values family, monogamy, cisgender identification, and the redirection of surplus sexual energies, must a

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,The Alllusion: Intelligent Machines, Ethical Turns, and Oren Peli’s ,y dismisses the recommendation of spiritualist Dr. Fredrichs (Mark Fredrichs) that they immediately contact a demonologist; and tosses a crucifix into the fireplace, treating it as a talismanic cause or symptom of Katie’s deteriorating mental condition. Ultimately, the demon takes control over Katie

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