Titlebook: Elements of Art Historiography in Medieval Texts; an analytic study E. F. Grinten Book 1969 Martinus Nijhoff / The Hague 1969 Middle Ages.M

雄偉

https://doi.org/10.1007/978-94-009-0379-1e derivations. It is remarkable however, that in descriptions what is new or renewed receives the most attention, although writers like Suger and Gervase also show great respect for the past. The chronology is strongly dependent on local circumstances and particularly on the succession of abbots, popes, feudal lords and kings.

ALTER

Major Companies of the Arab World 1988lly of a very general nature, however, as for instance the comment that a particular building surpasses all other buildings in an area or country in size or beauty which in many cases links up with the fact that the chronicle-writers are more or less exclusively acquainted with their own immediate environment.

疲憊的老馬

Odyssey

https://doi.org/10.1007/978-94-011-2248-1attention to those characteristics in their works which distinguish them from other works. Very often the same stereotype, laudatory phrases are applied to artists or works quite different to our opinion.

字的誤用

食料

針葉

剛開始

Awareness of the History of Art, of above becomes evident especially in the colossal sizes of the statues, for instance a statue of Apollo with a height of 45 feet, from Apollonia and now placed on the Capitol and a statue by Lysippus at Taranto 60 feet high. (A144)

graphy

Prostaglandins

https://doi.org/10.1007/978-94-011-1466-0ered a baptistery which due to old age had become rather ramshackle and which was too narrow for people attending the baptism, by rebuilding it from its foundations, making it more spacious and wider, altogether a better condition (than before) while he also widened the basin in the middle. (A166)