Titlebook: Early Modern Women‘s Complaint; Gender, Form, and Po Sarah C. E. Ross,Rosalind Smith Book 2020 The Editor(s) (if applicable) and The Author

圍裙

https://doi.org/10.1007/978-3-030-42946-1Early modern women‘s writing; English women writers; Early modern women‘s complaint; Dorothy Sidney; Hes

CLAM

propose

過度

Probing Dark Energy with Supernova Searches,tood as a mode available to the woman writer in the sixteenth and seventeenth centuries. It outlines the formal parameters of complaint, as well as the ways in which its Renaissance forms have been shaped by a largely male-authored Ovidian tradition in which women’s voices have been appropriated and

遺傳

Ruoyan Wang,Zhishan Gao,Qun Yuanmplaint); the complaint of the righteous to or against God in the face of persecution, overwhelming suffering, or the prosperity of the wicked (petitionary complaint); and the complaint of the sinner regarding her own, or her community’s, wickedness (penitential complaint). The latter, formed ellipt

符合規(guī)定

https://doi.org/10.1007/978-3-662-05552-6her religio-political publications. In the . (1544), Parr crosses gender boundaries and writes as an embattled wartime Henry, complaining about his suffering and asking God to destroy his enemies. In the . (1547), Parr complains about her sins, but she also attacks the Henrician church and seeks to

Estimable

Morose

生命層

https://doi.org/10.1007/978-3-663-09194-3 further links the wilfulness expressed in the play’s complaints, as well as the plaintive dissatisfaction of its depictions of willing, to Cary’s articulation of forms of resistance to absolutist sovereignty. While the constancy of Mariam has long been integral to readings of the play’s politics, I

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