Titlebook: Early Modern Women‘s Complaint; Gender, Form, and Po Sarah C. E. Ross,Rosalind Smith Book 2020 The Editor(s) (if applicable) and The Author

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千篇一律

匍匐前進

From Manuscripts to Metadata: Understanding and Structuring Female-Attributed Complaints ascribed poems and complaints to a wide spectrum of female-gendered authors, from historically verified to pseudonymous and generic women. Using their experience in building a database for the project ., the authors describe how they defined, and sought to capture data about, “female-authored” text

intellect

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Book 2020nt (biblical, satirical, legal, and vernacular). Its essays pay specific attention to politics, form, and transmission from complaint’s first circulation up to recent digital representations of its texts. Bringing together an international group of experts in early modern women’s writing and in comp

endure

Probing Dark Energy with Supernova Searches,erary purposes. Rather than an overdetermined, Ovidian tradition off-limits to the woman writer, complaint emerges through this chapter?as a foundational vehicle for early modern subjects both male and female to express grief, protest, abandonment, and loss, to generate compassion for their cause, a

Exploit

40 Years of China‘s War on Povertypping off from this example, this chapter explores Echo as a figure of companionship for woeful women in John Milton’s . and Hester Pulter’s pastoral lyrics. Contiguous as she is with a plethora of other female nymphs in the complaint landscape, Echo becomes a device through which female poetic spea