Titlebook: Dwelling; Cultural Representat Orsolya Katalin Pet?cz,Naomi Segal Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusiv

Myocyte

CHARM

his essay compares a range of literary and biographical examples of dwelling in/on love, showing how this seems to allow the lover a kind of ‘perpetualness’ while the object of love changes or is replaced. In the first section, three sets of texts from the 1910s are analysed. In the life and writing

階層

植物學(xué)

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Stryker defiantly claimed her affiliation with Mary Shelley’s Creature. Twenty-six years later, trans-feminist philosopher Paul B. Preciado similarly declared ‘I am the monster who speaks to you’ (2020b: 17). In Preciado’s writing monstrosity seems to require a constant negotiation and movement; ab

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Sociocultural Factors of Wellbeingong-based artist Florence Lam. In her work, she prioritises giving time rather than making space (as dimension) or place (as meaning). The materials she employs in the performances do not designate specific spatial boundaries; they become varying material formations evoking competing motifs of viole

ascetic

Felicitas Aretin,Bernd Wannenmachertly requires living compassionately and thinking responsibly towards others in a binding commitment to the co-creation of liveable habitats. Exploring the place-specific and speculative practice-research activities which informed the making of an immersive sound and video installation, I address hum

PURG

Sandra A?mann,Peter Moormann,Mirjam Thomannexile of twelve years had just begun. Virtually empty-handed, she knew that she could only rely on her painting skills to make ends meet. She was exceptionally attached to the decor(s) and the comfort of her living spaces, especially as she ended up living in a multiplicity of different dwellings. W

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