Titlebook: Dwelling; Cultural Representat Orsolya Katalin Pet?cz,Naomi Segal Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Dwelling and Exile: Vigée Le Brun and the Tools of Her Tradeexile of twelve years had just begun. Virtually empty-handed, she knew that she could only rely on her painting skills to make ends meet. She was exceptionally attached to the decor(s) and the comfort of her living spaces, especially as she ended up living in a multiplicity of different dwellings. W

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Sensing the Continuity and Strangeness of the ‘Home’ in the Darkness of a New Residence. to illuminate my exploration of the continuity of ‘home’, I contend that a sense of ‘home’ endures by seeking familiarity through everyday objects, placing them similarly, or recreating past room layouts in unfamiliar spaces. Examining my series of drawings, . (2020–2021), crafted during the globa

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yment. The difficulties that this entailed took many by surprise. Though those who had the ‘luxury’ of being able to work from home are mostly knowledge workers, many of whose everyday tasks reside in the digital realm, lockdowns made us appreciate with greater clarity that these tasks are still bei

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—doors, windows, walls and stairs. The central research question asks how ‘home’ can be reshaped to influence, even remake, social relations. Fieldwork in the houses (and castles) of England and Wales comprised walking and observation; findings are also based on textual sources. The two research str

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tion. Amidst escarpment mountains, deciduous cloud forests flourish, while the coastal plains host papaya, banana, and coconut plantations. Traditionally, the inhabitants led semi-nomadic lives, relocating with their livestock based on seasonal fodder availability. During the monsoonal period, known

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