Titlebook: Documentation, Disappearance and the Representation of Live Performance; Matthew Reason Book 2006 Palgrave Macmillan, a division of Macmil

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https://doi.org/10.1057/9780230598560bibliography; knowledge; memory; performance; photography; truth; video; writing

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比目魚

Organisationssoziologische Fallstudiend define what performance is as a phenomenon. It is with this perspective that this chapter explores two prominent and ongoing conversations about performance: the first of disappearance and transience; the second of documentation and retention. These discourses occur primarily within the academy a

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大雨

heirloom

Die transnationale kapitalistische Klasseormance as the original and the screen presentation as its copy. This chronological hierarchy also often assumes implicit evaluative judgements: loading the ‘original’ with a primacy that resides in its authenticity, with the representation by contrast becoming ‘merely’ a copy, inauthentic, unorigin

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