Titlebook: Documentation, Disappearance and the Representation of Live Performance; Matthew Reason Book 2006 Palgrave Macmillan, a division of Macmil

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書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance影響因子(影響力)

書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance影響因子(影響力)學(xué)科排名

書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance網(wǎng)絡(luò)公開(kāi)度

書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance網(wǎng)絡(luò)公開(kāi)度學(xué)科排名

書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance被引頻次

書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance被引頻次學(xué)科排名

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書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance讀者反饋

書(shū)目名稱(chēng)Documentation, Disappearance and the Representation of Live Performance讀者反饋學(xué)科排名

只看該作者 · 發(fā)表于 2025-3-21 21:33:56

https://doi.org/10.1057/9780230598560bibliography; knowledge; memory; performance; photography; truth; video; writing

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只看該作者 · 發(fā)表于 2025-3-22 06:10:43

Organisationssoziologische Fallstudiend define what performance is as a phenomenon. It is with this perspective that this chapter explores two prominent and ongoing conversations about performance: the first of disappearance and transience; the second of documentation and retention. These discourses occur primarily within the academy a

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只看該作者 · 發(fā)表于 2025-3-23 04:43:16

Die transnationale kapitalistische Klasseormance as the original and the screen presentation as its copy. This chronological hierarchy also often assumes implicit evaluative judgements: loading the ‘original’ with a primacy that resides in its authenticity, with the representation by contrast becoming ‘merely’ a copy, inauthentic, unorigin

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