Titlebook: Documentary and Disability; Catalin Brylla,Helen Hughes Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 blindness.deafness.

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Interface Productions and Disability Programming for Channel 4: 1984–1986al prerequisites that are sometimes taken for granted in more abstract accounts. In doing so, the authors document some of the challenges that the Interface team faced in negotiating between the often-conflicting demands of the television community, the disabled communities and the production team themselves.

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Introduction: The Bricolage of Documentary and Disability,h disciplines: on the one hand, documentary studies need to discuss contemporary portrayals of disability, practices of disabled filmmakers and industry policies that determine access, inclusion and representation; on the other hand, disability studies need to adopt more explicit methodologies that

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Not Without Us: Collaborating across Difference in Documentary Filmmakingar news media, and many have turned to independent documentary film as an outlet for self-expression and definition. Most documentaries are a collaborative effort; however, how is the nature of collaboration altered when the filmmaker is not a member of the mental health community? What are the barr

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