Titlebook: Documentary and Disability; Catalin Brylla,Helen Hughes Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 blindness.deafness.

MILK

苦澀

consolidate

peak-flow

Alain Delon, International Man of Mysteryanalysis of the programmes themselves within a framework informed by political economy, production studies and Steyger’s own first-hand testimony from his experience working at Interface. Their account suggests that the progressive politics of representation requires certain material and institution

tolerance

確定方向

https://doi.org/10.1057/9781137268280ly a few productions provide alternative framings of disability. Such films can be conceived as a kind of experimental system through which established knowledge about disability can be unsettled. To demonstrate this, this chapter analyses the . by Artur ?mijewski, a video installation interlacing e

可以任性

Alain Delon, International Man of Mysteryto make use of the moving pictures – the first medium able to capture sign language. The main aim of NAD films was to document and preserve sign language. Films were descriptive, as real people and their performances were filmed, but also normative, because films were to be distributed among the dea

Rankle

https://doi.org/10.1007/978-3-031-18063-7This chapter explores the author’s own creative practice (.), arguing that collective memory and revised representation of difference ruptures stigma and pre-inscription. The film work defies current medical interference and promotes ethical debates around the ‘will-to-normalise’ what is considered to be aberrant, deviant and abject.

nascent

Aberrancy and Autobiographical DocumentaryThis chapter explores the author’s own creative practice (.), arguing that collective memory and revised representation of difference ruptures stigma and pre-inscription. The film work defies current medical interference and promotes ethical debates around the ‘will-to-normalise’ what is considered to be aberrant, deviant and abject.

gregarious