Titlebook: Documentary Films in India; Critical Aesthetics Aparna Sharma Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

Ambiguous

Conclusion: Insights from Porous Spaces the Solomon R. Guggenheim Museum is livened by street vendors calling out hot dogs, roasted nuts and New York souvenirs. Visitors meet, greet and gradually quieten as they queue up to enter the museum. Melding into this everyday soundscape of the Manhattan landmark are the sounds of a distant rainf

相符

Epilogue: From the Sky and from the Earthon the pro-filmic—that which the camera frames and records. Likewise, watching a film entails the reception of light. We enter a dark space where a beam of changing light patterns is projected on the screen. This is the film we as viewers watch. The technical mechanisms by which light shapes the ima

邪惡的你

混亂生活

The Legacy of Care: Women Helping Women by a setting sun meet earth’s dust rising from the hooves of cows returning after grazing. All on land are immersed in a crimson-golden glow. It is in these crimson-golden moments of . that the opening shots of Kumar Shahani’s acclaimed . (Immanence), 1991 — based on the life of the Odissi dance ma

兇殘

ABASH

recession

改正

EWE

New Boys at the Doon Schoolf a new class and the second examines the experiences of a single student from that class, a Nepali boy called Abhishek Shukla. The students featured in these films provide a unique perspective on the school — an outsider-.-insider viewpoint. They are beginners who enter and explore the school; acce

污穢

Gandhi’s Childrenthe Delhi administration for shelter and rehabilitation. Situated in northwest Delhi’s Jahangirpuri Colony,. the boarding home offers shelter, food, clothing, health care, education and vocational training to its inmates. Some inmates come here voluntarily; most are deposited either by the Delhi pol