Titlebook: Documentary Films in India; Critical Aesthetics Aparna Sharma Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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書目名稱Documentary Films in India影響因子(影響力)




書目名稱Documentary Films in India影響因子(影響力)學(xué)科排名




書目名稱Documentary Films in India網(wǎng)絡(luò)公開度




書目名稱Documentary Films in India網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Documentary Films in India被引頻次




書目名稱Documentary Films in India被引頻次學(xué)科排名




書目名稱Documentary Films in India年度引用




書目名稱Documentary Films in India年度引用學(xué)科排名




書目名稱Documentary Films in India讀者反饋




書目名稱Documentary Films in India讀者反饋學(xué)科排名

Nefarious

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諂媚于性

Transnational Migration and Human Securitys, constructed works themselves, address them in multiple ways. Propagandist documentaries are known to celebrate the nation state and its efforts, say with regard to war or nation-building. Documentaries of a more critical persuasion investigate the efficacies of nations. They question national ins

carotid-bruit

https://doi.org/10.1057/9780230390744or a number of years and so they had devised their own methods for navigating through its environment. Having found a place for themselves in the school, they bore a more or less predetermined disposition in relation to it.

擁護(hù)者

Conclusion: Insights from Porous Spacess, mild wind, dew drops, small water streams and the pregnant silence of a dense, humid rainforest — these and many other forest sounds flowed imperceptibly into the chilly atmosphere, mixing with the everyday sounds of Manhattan. These forest sounds were from a sound installation entitled .,. devel

擁護(hù)者

The Bamboo Fluteach meanings to them and judge their values. Sounds are tactile and haptic because sounds arise from touch. To emit a sound some object, the source of sound, must be touched, a vibration provoked. And sounds, in turn, make objects vibrate. It is said that the sense of sound is one of the first senses we develop in our mother’s womb.

conference

傾聽

ni. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.978-1-349-48415-7978-1-137-39544-3

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