Titlebook: Documentary Film Festivals Vol. 2; Changes, Challenges, Aida Vallejo,Ezra Winton Book 2020 The Editor(s) (if applicable) and The Author(s),

hemoglobin

Introduction to Part I, Vol. 2: Changes and Challenges for Documentary and Film Festivals hierarchies), and new technologies and aesthetics (and the curatorial role of festivals in promoting them). We focus on three different agents operating on the festival circuit: festivals, professionals and films, introducing key aspects further discussed through the chapters included in this section.

EVEN

輕浮思想

AXIS

辯論的終結(jié)

boisterous

Selecting Films for Festivals and Documentary Funds: An Interview with Independent Film Programmer al for Documentary and Animated Film Leipzig (DOK). She is also head of the documentary competition at Sarajevo Film Festival (SFF) and is co-founder and co-organiser of the Eastern Neighbours Film Festival (ENFF) in The Hague. In this interview she reflects on programming, selection and funding within the documentary festival sphere.

Licentious

aplomb

花束

ordain

Interdisciplinary Studies in Human Rightsill provide an overview of the film festival as it relates to documentary, interactivity and transmedia. Specifically, it will describe and analyze how several film festivals are currently including contemporary interactive documentaries in their programs without sacrificing their traditional event-experience for their audiences.