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Titlebook: Documentary Film Festivals Vol. 2; Changes, Challenges, Aida Vallejo,Ezra Winton Book 2020 The Editor(s) (if applicable) and The Author(s),

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樓主: KEN
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發(fā)表于 2025-3-23 10:26:07 | 只看該作者
12#
發(fā)表于 2025-3-23 14:11:59 | 只看該作者
Italian and Italian American Studiestudy of their presence in the festival program. These pitching forums, markets, workshops, industry talks and networking events extend the festival’s influence in film promotion towards production and commercial distribution, expanding the classic role of festivals as exhibition sites. I analyse the
13#
發(fā)表于 2025-3-23 20:41:10 | 只看該作者
Interdisciplinary Studies in Human Rightsnal recognition as a result of both national and international trends. Conditions in Chile have changed in such a way as to facilitate the production of a diversity of documentary films. Moreover, international film festivals and markets have played a major role in both the production and circulatio
14#
發(fā)表于 2025-3-23 23:28:33 | 只看該作者
Interdisciplinary Studies in Human Rightsduction and distribution, festival screenings, and the discursive framings with which the screened films are positioned in festival programs. These areas of inquiry align with the argument that film festivals participate in the cultural restructuring of Europe during the post-1989 transition period.
15#
發(fā)表于 2025-3-24 03:10:32 | 只看該作者
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發(fā)表于 2025-3-24 08:33:39 | 只看該作者
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發(fā)表于 2025-3-24 14:32:05 | 只看該作者
18#
發(fā)表于 2025-3-24 17:10:24 | 只看該作者
Transnational Identities and the Mediaares his memories and concerns about the festival organization, archival practices and programming policies. Having collaborated with the festival from the 1970s, del Río reflects on the difficulties that institutional restrictions involved for adapting to global trends, including the feature-docume
19#
發(fā)表于 2025-3-24 20:16:33 | 只看該作者
Transnational Islam and the Internetestivals focused on documentary filmmaking are so important in many African contexts: to connect Africans to their rich, diverse histories and contemporary experiences, which may not have previously been documented in reproducible and durable forms; and to provide African film fans with far more div
20#
發(fā)表于 2025-3-25 02:27:34 | 只看該作者
https://doi.org/10.1057/9780230591905al based in Egypt. The discussion includes (but is not limited to) topics of cultural politics, the development of national cinemas, democracy, freedom of expression, the Arab Spring and social movements.
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