Titlebook: Digital Peripheries; The Online Circulati Petr Szczepanik,Pavel Zahrádka,Paul Stepan Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if applicable) and Th

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Television Distribution in Flanders: Who Takes the Lead and Is Content Always King? well as original content production, are challenged by new business models. The advent of innovative platforms and shifting business models has not only instigated new forms of competition but has also forced media players to explore different forms of collaboration and co-option. In this chapter,

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Finding Larger Transnational Media Markets: Media Practices of the Vietnamese Diasporic Communityfferent Vietnamese populations in the Czech Republic (CR) and then discusses how they have generally lacked participation in the Czech media landscape because of their adoption of transnational media practices. This study also demonstrates how the diasporic community has failed to establish a conven

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Structured Film-Viewing Preferences and Practices: A Quantitative Analysis of Hierarchies in Screen windowing, programming and broadcast schedules. This chapter goes into the question whether this increased accessibility has resulted in different film-consuming practices and preferences, through a survey of contemporary film audiences and their individual feature film preferences and consumption p

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Uses Genres and Media Ensembles: A Conceptual Roadmap for Research of Convergent Audienceseption. The use of digital and networked media and the consequent multiplication of screens, distribution channels and content sources have further complicated the notion of “watching television” and, along with that, academic and applied audience research. The chapter reintroduces Maria Bakardjieva

synovium

Petr Szczepanik,Pavel Zahrádka,Paul StepanOpen access book focusing on the European Commission‘s Digital Single Market (DSM) strategy.Highlights the increasing relevance of national borders, center-periphery hierarchies and differences in sca

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