Titlebook: Digital Peripheries; The Online Circulati Petr Szczepanik,Pavel Zahrádka,Paul Stepan Book‘‘‘‘‘‘‘‘ 2020 The Editor(s) (if applicable) and Th

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Industry Divide: The Interdependence of Traditional Cinematic Distribution and VOD in Polandn the interest of their own and their superior corporate structures, unwilling to share it with outside content providers. Therefore, the traditional cinematic market players—distributors and, indirectly, producers—are largely cut off from the stream of VOD revenue and are looking for alternative de

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Channels and Barriers of Cross-Border Online Circulation: Central and Eastern Europe as a Digital Pess-border online distribution to distinguish different strategies and tactics employed by key players when approaching foreign markets. Thus, it calls for a more nuanced perspective on the position of “digital peripheries” in cross-border cultural networks and flows.

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Configurable Culture in Wealthy and Developing Markets: A Comparative Cross-National Perspectivere. In fact, the data show that user age and national wealth are far greater factors in personal use of digital culture than the size of individual markets, the prevailing copyright law, or the overall level of engagement with digital media among the population at large.

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Uses Genres and Media Ensembles: A Conceptual Roadmap for Research of Convergent Audiencesh typical everyday situations, and they enable us to analyze consumption explicitly within the contexts of the spatiotemporal and social organization of everyday life. Secondly, in cases of small- and peripheral-market audiences, the concepts enable us to identify specifics in audiences’ practices l

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Introduction: Theorizing Digital Peripheries,a market is now fully integrated. This book argues contrariwise that the global digital market is far from united and that national borders, center-periphery hierarchies and differences in scale still matter, and perhaps they matter even more than in the analog broadcast era.

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Small, Middle, Test: Rescaling Peripheral Media Marketsets. It suggests that many studies of media-related markets—particularly in countries identified as “small”—are often understood in generic terms. Using Canada’s experience with Netflix as a case study, this chapter explores how the study of VOD would change according to three different conceptions

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On the Boundaries of Digital Marketsrecent work in sociology, geography and political theory to explain how market boundaries are drawn—politically, discursively and institutionally. A vital insight from the social science of markets is to always consider the messiness and friction built into markets. In other words, we must think of

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Territoriality of Copyright Lawscope of jurisdiction of a particular sovereign is traditionally delimited in law on a territorial basis. On the Internet, however, territory plays a significantly different role than in the offline environment, and this difference represents an evolving challenge for legal scholars as well as for p

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The Czech and Slovak Audiovisual Market as a Laboratory Experiment for the Digital Single Market in form measures proposed by the European Commission for the introduction of a Digital Single Market in Europe and explains the basic operating mechanisms of the business model for audiovisual content in small markets. Based on the lessons learned, the chapter offers a reflection on the sustainability