Titlebook: Digital Humanities and New Ways of Teaching; Anna Wing-bo Tso Book 2019 Springer Nature Singapore Pte Ltd. 2019 Digital Humanities.Digital

手工藝品

Digital Humanities in the German-Speaking Worldegional scale. This paper presents several examples of digitalization in the humanities: the use of audio sources, weblogs, big data, and simulations. The paper also examines the dissemination of practices of digitalization in the German-speaking world. Some experts note structural problems for digi

征兵

Digital Humanities Projects on Chinese Canadian Studiesterials in digital format on Chinese Canadian studies. Libraries, as the “l(fā)aboratory for the humanities,” have played a significant role in curating printed materials. In the digital era, libraries continue to take up the challenges of facilitating and preserving collections for digital humanities.

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The Philippine Performance Archive on Cultural Performances: Archive as Performative Cultural Memorycultural performance, concretized within performance studies paradigm using Philippine society and culture as context. The second part is a discussion of how data in the archive were documented and collected using focused ethnography as primary methodology. The method is argued to be the distinguish

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Initiatives of Digital Humanities in Cantonese Studies: A Corpus of Mid-Twentieth-Century Hong Kong versity of Hong Kong: .. The data of the corpus were collected by transcribing some of the dialogue of Cantonese movies produced between the 1950s and the 1970s. There are two phases of the corpus. This paper focuses on the second phase of the corpus which, when compared with the first phase of the

NEEDY

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繁榮中國

Gaming Literacy and Its Pedagogical Implicationsw one way to write a language in the online medium and another to write it offline. Be that as it may, online literacy could also be a source of influence on the offline literacy, just as speech has affected written literacy. For instance, contraction is now found in the latter. One big area of onli

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Visitors’ Perception of a Multimodal Exhibition: A Case Study at the Hong Kong Heritage Museum been tailor-made to meet the expectations of modern audiences, or so the curators have perceived. With a view to investigating the effectiveness of museum-based multimodal devices in Hong Kong, this chapter uses a case study evaluation approach to examine the visitors’ digital experiences in “Claud