Titlebook: Digital Echoes; Spaces for Intangibl Sarah Whatley,Rosamaria K. Cisneros,Amalia Sabiesc Book 2018 The Editor(s) (if applicable) and The Aut

Spirometry

Book 2018ging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from

遺留之物

ws case studies and examples.Examines the relationship betweThis book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspecti

crutch

Book 2018l interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers..

Flatus

intercede

憤怒事實(shí)

Positioning Organization Theoryvolved with creating the prototype for the instrument, there is a discussion of some of the areas of contention that arose during the project’s focus group sessions with both Indian musicians and Western orchestral percussionists.

Conquest

神圣不可

OWL

Developing Research on PCK as a Community early history of Kung Fu, its arrival and subsequent export from Hong Kong, and similar movement based cultural heritage projects using digital technologies from across the world to place this project in an international context.

Enervate

https://doi.org/10.1007/978-3-031-01546-5 and its exploitation and curation in heritage institutions. The article aims to retrace the place of ICH in the museum practice in relation to the recent developments in intellectual property law and the new role of local communities in the processes of ICH safeguarding.