Titlebook: Digital Echoes; Spaces for Intangibl Sarah Whatley,Rosamaria K. Cisneros,Amalia Sabiesc Book 2018 The Editor(s) (if applicable) and The Aut

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The Implications of Technology in Dance: A Dancer’s Perspective of Moving in Media-Rich Environmentsractice, Francksen explores how technology can change the ways in which dancers produce, engage with, and ultimately create movement. In so doing, this chapter promotes the experiential awareness of the dancer as key to appreciating the affordances of technology in dance specific to our digital age.

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: Event Spaces of Infinite Perspectivekyo in July 2015. . emphasizes the interrelationships between physical and social integration, movement and spatial organization, drawing upon experimental dance and the non-traditional exploration of acoustic space.

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Mediating and Visualizing Paxton’s Material for the Spineible in video alone, namely the imagined?spatial and sensorial experience particular to Paxton’s practice. . is important to acknowledge in the discussion of cultural heritage as it sets a precedent for augmenting video to articulate and reveal the inner structures of movement and experience which is then transmitted through media objects.

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In/Tangible: The Duality of Video Documentation in Dancescussion that illuminates documentation, and foregrounds the practical uses of video records within the wider topic of digital preservation. Specific examples are drawn from a case study that analyses the ways in which . acted as a documentary tool in a restaging of William Forsythe’s . (2000) at the Juilliard School in 2013.

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Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive early history of Kung Fu, its arrival and subsequent export from Hong Kong, and similar movement based cultural heritage projects using digital technologies from across the world to place this project in an international context.

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Presenting the Intangible: Curating the Intangible Cultural Heritage in the Museum Practice—Legal As and its exploitation and curation in heritage institutions. The article aims to retrace the place of ICH in the museum practice in relation to the recent developments in intellectual property law and the new role of local communities in the processes of ICH safeguarding.

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