Titlebook: Defining Literary Postmodernism for the Twenty-First Century; Matthias Stephan Book 2019 The Editor(s) (if applicable) and The Author(s),

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Characteristically Postmodernssan’s list of characteristics, the chapter explores which characteristics are reflective of literary postmodernism, dividing up Hassan’s list into three categories—terms which reinforce a modernist framework, terms which are dependent on the reader’s interpretation, and terms which can form the bas

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Mapping the Space of Postmodernismnsidering Frederic Jameson’s call for a spatial metaphor, the chapter develops a spatial mode of understanding postmodernism. This is done through a critical evaluation of Jean Baudrillard’s concept of the hyperreal and Giles Deleuze and Felix Guattari’s idea of the rhizome (further developed by Umb

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What World Is This? Who Am I (in It)?: The Structure of the Ontological Formation in Science Fictiony, questions of being and subjectivity, it looks at historical and canonical examples of science fiction to demonstrate how postmodern forms of SF fit within the genre. Consequently, the chapter argues that it is possible to have both modernist and postmodernist fiction with an ontological dominant,

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The Postmodern Novel: How It All Comes Together, in a Rhizomatic Waythe postmodern structure of consciousness is demonstrable through the many facets of the novel, not only through epistemological investigations tied to the detective fiction elements, and the ontological considerations tied to questions of narrative and identity, but also in questions of social just

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Coda: What Comes Next? (Or What to Do with a Problem Called Postmodernism?)literature often posited as coming after postmodernism and discusses how those genres (Postpostmodernism, Neo-Victorian, and Post-Ironic and New Sincerity) can be read in light of the postmodern structure of consciousness. The chapter further presents three potential ‘outs’ of postmodernism, ways in

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