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Titlebook: Defining Literary Postmodernism for the Twenty-First Century; Matthias Stephan Book 2019 The Editor(s) (if applicable) and The Author(s),

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發(fā)表于 2025-3-21 16:50:53 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Defining Literary Postmodernism for the Twenty-First Century
編輯Matthias Stephan
視頻videohttp://file.papertrans.cn/265/264788/264788.mp4
概述Contributes to the understanding and categorization of literary movements.Argues for a rethinking of the definition of postmodernism.Illustrates key aspects of postmodernism via genre fiction
圖書封面Titlebook: Defining Literary Postmodernism for the Twenty-First Century;  Matthias Stephan Book 2019 The Editor(s) (if applicable) and The Author(s),
描述.This book?presents a definition of literary postmodernism, using detective and science fictions as a frame.?Through an exploration of both prior theoretical approaches, and indicators through characteristics of postmodernist fiction, this book identifies a structural framework to both understand and apply the lessons of postmodernism for the next generation. Within a growing consensus that the postmodern era has passed, this book examines the different conceptions of postmodernism and posits a meaningful definition, one which can provide the foundation for future literary expression. This theory is then applied to genre fiction, particularly detective fiction and science fiction, demonstrating that postmodernism is found in the structure, rather than questions posed about literary expression. Finally, Matthias Stephan considers post-postmodern movements, and how they can be expressed given this definition of literary postmodernism, moving forward to the twenty-first century. .
出版日期Book 2019
關(guān)鍵詞postmodern literature; literary movements; literary periods; science fiction; detective fiction; modernis
版次1
doihttps://doi.org/10.1007/978-3-030-15693-0
isbn_ebook978-3-030-15693-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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https://doi.org/10.1007/978-94-015-7407-5nsidering Frederic Jameson’s call for a spatial metaphor, the chapter develops a spatial mode of understanding postmodernism. This is done through a critical evaluation of Jean Baudrillard’s concept of the hyperreal and Giles Deleuze and Felix Guattari’s idea of the rhizome (further developed by Umb
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Dictionary of Building and Civil Engineeringy, questions of being and subjectivity, it looks at historical and canonical examples of science fiction to demonstrate how postmodern forms of SF fit within the genre. Consequently, the chapter argues that it is possible to have both modernist and postmodernist fiction with an ontological dominant,
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https://doi.org/10.1007/978-94-015-7407-5the postmodern structure of consciousness is demonstrable through the many facets of the novel, not only through epistemological investigations tied to the detective fiction elements, and the ontological considerations tied to questions of narrative and identity, but also in questions of social just
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Dictionary of Building and Civil Engineeringliterature often posited as coming after postmodernism and discusses how those genres (Postpostmodernism, Neo-Victorian, and Post-Ironic and New Sincerity) can be read in light of the postmodern structure of consciousness. The chapter further presents three potential ‘outs’ of postmodernism, ways in
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