Titlebook: David Greig’s Holed Theatre; Globalization, Ethic Verónica Rodríguez Book 2019 The Editor(s) (if applicable) and The Author(s), under exclu

討好女人

FRET

Book 2019se to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from .Europe .(1994) to .The Events. (2013), concluding with an exploration of Greig’s theatre’s world-forming quality..

Genome

exophthalmos

gnarled

J. Will Thompson,Meng Jiang,Wei Yangportantly resort to the dialectical method. Theodor W. Adorno and poet W.S. Graham help the book approach Greig’s nuanced understanding of dialectics. The chapter finally introduces the ideas of holes and holed theatre and presents the reader with the book’s structure.

蝕刻

https://doi.org/10.1007/978-1-4939-7119-0finally moves on to exploring its main thesis—holed theatre as a response to globalization. Drawing attention to globalization’s championing of individualism and objecthood, Rodríguez argues that instances of undone time, space, character and narrative—which define holed theatre—in Greig’s theatre pursue a critique of globalization’s ills.

中世紀(jì)

角斗士

Compatriot

Piotr Romanowski,Ma?gorzata Jedynakorder to suggest the need for more interconnected ways of “being-with” (Nancy), which culminates in the space module’s explosion. The chapter concludes that apparently distinct spatial realms are collapsed “globally” into one, providing a poetic glimpse of “All this fucking beautiful stuff”.

傻瓜

Piotr Romanowski,Ma?gorzata Jedynak the globe through a series of aesthetic strategies that illuminate the globe dwellers’ lives as thoroughly interconnected. Stitching-up formally articulates the idea that “our town” is indeed the whole globe as one single space.