Titlebook: David Greig’s Holed Theatre; Globalization, Ethic Verónica Rodríguez Book 2019 The Editor(s) (if applicable) and The Author(s), under exclu

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書目名稱David Greig’s Holed Theatre讀者反饋學(xué)科排名

Dissonance

Holed Theatre as Response to Globalization,ization within the contemporary while acknowledging the links with processes such as colonisation. The chapter deploys David Harvey’s theory of space, Zygmunt Bauman’s notion of negative globalization and Jean-Luc Nancy’s idea of . in order to introduce Greig’s theatre’s nuanced understanding of glo

前面

放逐某人

JEER

,: Globalization’s Inferiors,Zygmunt Bauman as those on the move (who seek dignity) and the locals. Defining confounding as the uncertain sensation produced as a result of the unmarking of contours of categories, elements, concepts, etc., the chapter argues that . uses (at least) two kinds of confounding simultaneously: a confo

裂口

裂口

,: “All This Fucking Beautiful Stuff”,lay departs from (it had to bounce from space to Earth like a satellite signal and include all the places the playwright had been to recently), whereby both a dialectic between above and below and a sense of across emerge (verticality and horizontality), the chapter argues that while the play convey

熱心

: Stitching Up the Globe,ase and briefly unpacks the signifier “San Diego”. It then argues that what really captures David Greig’s imagination in ., which crucially includes the author’s alter ego as character, is the idea that the entire globe is “our town”, and that is the concept he attempts to make “real” in ., both by

不滿分子

Agnosia