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Titlebook: David Greig’s Holed Theatre; Globalization, Ethic Verónica Rodríguez Book 2019 The Editor(s) (if applicable) and The Author(s), under exclu

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31#
發(fā)表于 2025-3-26 23:11:59 | 只看該作者
or as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from .Europe .(1994) to .The Events. (2013), concluding with an exploration of Greig’s theatre’s world-forming quality..978-3-030-06182-1
32#
發(fā)表于 2025-3-27 01:32:47 | 只看該作者
33#
發(fā)表于 2025-3-27 08:33:53 | 只看該作者
34#
發(fā)表于 2025-3-27 10:23:47 | 只看該作者
35#
發(fā)表于 2025-3-27 13:41:29 | 只看該作者
36#
發(fā)表于 2025-3-27 19:53:36 | 只看該作者
Current Research in Biology Educationories. When these categories appear as holed, they are responding to globalization’s individualisation imperative. This confounded atmosphere is intensified by a profound dialectical interplay. Ultimately, a compelling sense of “here” emerges that might be ethically transferred on to the confounded spectator and perhaps the world.
37#
發(fā)表于 2025-3-27 22:12:18 | 只看該作者
Quantales and Observational Semanticso conjure “here” in the shamanic sense, theatre as a traversed world, and the world as a place where we are “unchosen multiple together” (Judith Butler and Jean-Luc Nancy). Greig’s theatre is holed; it is a theatre that happens in this and no other world, a world that we have the responsibility to shape.
38#
發(fā)表于 2025-3-28 03:09:50 | 只看該作者
,: Globalization’s Inferiors,unding of elements (time and setting, chorus, narrative and images) and a confounding of concepts (Europe, identity, perpetrators and victims, and home, borders and exile). This multi-layered architecture of confounding discloses those concepts and elements as holed and reveals an idea of Europe as aporia and as a work in progress.
39#
發(fā)表于 2025-3-28 06:54:39 | 只看該作者
40#
發(fā)表于 2025-3-28 13:36:51 | 只看該作者
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