Titlebook: David Greig’s Holed Theatre; Globalization, Ethic Verónica Rodríguez Book 2019 The Editor(s) (if applicable) and The Author(s), under exclu

interior

Irritate

Piotr Romanowski,Ma?gorzata Jedynaklay departs from (it had to bounce from space to Earth like a satellite signal and include all the places the playwright had been to recently), whereby both a dialectic between above and below and a sense of across emerge (verticality and horizontality), the chapter argues that while the play convey

jocular

Piotr Romanowski,Ma?gorzata Jedynakase and briefly unpacks the signifier “San Diego”. It then argues that what really captures David Greig’s imagination in ., which crucially includes the author’s alter ego as character, is the idea that the entire globe is “our town”, and that is the concept he attempts to make “real” in ., both by

PANIC

Anne-Marie Bezzina,Joanne Gauci critique the monopoly of the sky, of stories, of meaning, of images, in sum, of power, by the US and ethically confer a portion of those “qualities” to the derealised subjects of globalization. The chapter argues that the play confronts the spectator with an “animated” presence that highlights mean

兩棲動(dòng)物

Current Research in Biology Educationright/Paul, Zakaria, Elena and the stage direction “. in order to examine how ., connected to the traumatic under globalization, render time, location and characters collapse into a sense of holed world, of “here” in . (Traverse, 2007). I use .ma because when one looks at trauma, the multifarious co

單獨(dú)

https://doi.org/10.1007/978-3-030-89480-1in the context of “austerity Britain” (2010–) and the Arab Spring (2010–2012). In this duologue, while Jack is performed by an actor, Caroline is performed by the audience, who is asked to read her lines on a PowerPoint projection since the cuts to public spending have made it impossible to hire a s

招人嫉妒

Current Research in Biology Educationories and undone to produce complex confounding—hence the reference in this chapter’s title to a confounding “spacecraft” (a word used in .). “Bounded categories” refer to dramatic structures that are enclosed, rounded or contained. “Confounding” is the result of the undoing of the contours of categ

dermatomyositis

Quantales and Observational Semanticse plays analysed in the book, such as the ideas of undoing architectures, the role of outsiders and “outsidedness” and the status of women across Greig’s work. The chapter looks at the small acts of utopian reconstitution posited in Greig’s work as precarious recompositions and plays as an attempt t

Optometrist

Verónica RodríguezExplores an understudied topic in the field of drama, theatre and performance studies.Provides an original understanding and tackling of politics, aesthetics and ethics as intertwined concepts.Builds

背書

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