Titlebook: Danj?r?’s Girls; Women on the Kabuki Loren Edelson Book 2009 Loren Edelson 2009 bibliography.history.history of literature.play.stage.styl

Hyperopia

https://doi.org/10.1007/978-1-349-12579-1moronic: Women do not perform in the exclusively male theatre of kabuki. And, yet, paradoxically, this book tells the story of women who performed kabuki on some of Japan’s most prestigious stages in recent times.

執(zhí)拗

Congruous

https://doi.org/10.1007/978-1-349-12579-1ifferent stage names over the course of his career, the troupe changed names several times before receiving the prestigious “Ichikawa” name from the Naritaya house. In the beginning, however, the troupe was nameless. It was just an after-school girls’ club. There was no indication that it would beco

Yag-Capsulotomy

https://doi.org/10.1007/978-1-349-12579-1the playwright Kawatake Mokuami (1816–1893) immortalized it in his famous play ., in which chief bandit Nippon Daemon announces that he “was born at Hamamatsu in Enshū.”. This play, and many others, could be seen at the city’s Hamamatsu-za before the war. Like dozens of theatres, however, it was des

冰河期

https://doi.org/10.1007/978-3-030-53976-4ng the pressures and privileges of a Tokyo debut. With the hype already created by articles in . and ., the press continued to generate interest in the troupe before it even set foot in the capital.. One week before the troupe opened at the Mitsukoshi Theatre, the . ran two eye-catching stories. The

外觀

cochlea

https://doi.org/10.1007/978-1-4757-0426-6girls, but young ladies who were sweet, pure, and pretty. .rom the perspective of the press, members of Ichikawa Girls’ Kabuki perfectly embodied all of the .’. ideals. .he actresses, a . writer pronounced, were “old-fashioned” in the best sense, due to their kabuki training on and off the stage.. .

污穢

panorama

心胸開闊