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Titlebook: Danj?r?’s Girls; Women on the Kabuki Loren Edelson Book 2009 Loren Edelson 2009 bibliography.history.history of literature.play.stage.styl

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發(fā)表于 2025-3-21 19:46:11 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Danj?r?’s Girls
副標(biāo)題Women on the Kabuki
編輯Loren Edelson
視頻videohttp://file.papertrans.cn/261/260412/260412.mp4
叢書(shū)名稱(chēng)Palgrave Studies in Theatre and Performance History
圖書(shū)封面Titlebook: Danj?r?’s Girls; Women on the Kabuki  Loren Edelson Book 2009 Loren Edelson 2009 bibliography.history.history of literature.play.stage.styl
描述Danjuro ‘ s Girls is a fascinating history of Japan‘s female kabuki troupes, offering a penetrating investigation into three generations of kabuki actresses associated with the renowned Ichikawa Danjuro acting dynasty. Contextually grounding early female precedents in kabuki, the book focuses on the Ichikawa Girls‘ Kabuki Troupe, a unique and trailblazing company founded after Japan‘s defeat in World War II. The troupe became a national sensation in the 1950s, briefly becoming part of the otherwise impenetrable all-male kabuki establishment. Drawing on numerous interviews, as well as written and visual primary sources, Danjuro ‘ s Girls challenges readers to re-examine conventional notions about gender, performance, and traditional Japanese theatre.
出版日期Book 2009
關(guān)鍵詞bibliography; history; history of literature; play; stage; style; Tradition; translation; women
版次1
doihttps://doi.org/10.1057/9780230618589
isbn_softcover978-1-349-37599-8
isbn_ebook978-0-230-61858-9Series ISSN 2947-5767 Series E-ISSN 2947-5775
issn_series 2947-5767
copyrightLoren Edelson 2009
The information of publication is updating

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2947-5767 written and visual primary sources, Danjuro ‘ s Girls challenges readers to re-examine conventional notions about gender, performance, and traditional Japanese theatre.978-1-349-37599-8978-0-230-61858-9Series ISSN 2947-5767 Series E-ISSN 2947-5775
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Cypress Stages,okyo Station, with all the members wearing identical one-piece jumpers and carrying matching black valises and winter overcoats.. Shochiku, for its part, ran a full-page ad in the Kabuki-za program, calling attention to the “teenage kabuki production.”4
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Acting Like Men,oupe had designated itself a “girls”’ (.) company, first calling itself the Toyokawa Girls’ Kabuki Troupe, then the Tokyo Girls’ Kabuki Troupe, only to be named later by the Naritaya head as the Ichikawa Girls’ Kabuki Troupe. From the troupe’s perspective, the term “girls” was an accurate reflection of its age and sex.
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