Titlebook: Danj?r?’s Girls; Women on the Kabuki Loren Edelson Book 2009 Loren Edelson 2009 bibliography.history.history of literature.play.stage.styl

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書目名稱Danj?r?’s Girls影響因子(影響力)




書目名稱Danj?r?’s Girls影響因子(影響力)學(xué)科排名




書目名稱Danj?r?’s Girls網(wǎng)絡(luò)公開度




書目名稱Danj?r?’s Girls網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Danj?r?’s Girls被引頻次




書目名稱Danj?r?’s Girls被引頻次學(xué)科排名




書目名稱Danj?r?’s Girls年度引用




書目名稱Danj?r?’s Girls年度引用學(xué)科排名




書目名稱Danj?r?’s Girls讀者反饋




書目名稱Danj?r?’s Girls讀者反饋學(xué)科排名

Aggrandize

內(nèi)疚

Abduct

2947-5767 written and visual primary sources, Danjuro ‘ s Girls challenges readers to re-examine conventional notions about gender, performance, and traditional Japanese theatre.978-1-349-37599-8978-0-230-61858-9Series ISSN 2947-5767 Series E-ISSN 2947-5775

FLINT

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Cypress Stages,okyo Station, with all the members wearing identical one-piece jumpers and carrying matching black valises and winter overcoats.. Shochiku, for its part, ran a full-page ad in the Kabuki-za program, calling attention to the “teenage kabuki production.”4

使厭惡

Torrid

Ventilator

Acting Like Men,oupe had designated itself a “girls”’ (.) company, first calling itself the Toyokawa Girls’ Kabuki Troupe, then the Tokyo Girls’ Kabuki Troupe, only to be named later by the Naritaya head as the Ichikawa Girls’ Kabuki Troupe. From the troupe’s perspective, the term “girls” was an accurate reflection of its age and sex.