Titlebook: Dance Matters in Ireland; Contemporary Dance P Aoife McGrath,Emma Meehan Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 con

Gustatory

The Language of Affect in Choreographic Practice: Conversations on the Making of ,that involves the process of embodied engagement with sense and sensibility. She contends that through a close analysis of the language used by choreographers we can study the role of affect in choreographic practice. This idea is an effort at identifying how choreographers make use of affective experiences in the process of dance composition.

Ballerina

Dancing, Identity and Place: Balancing Subjectivity and Technique in Contemporary Dance Trainingis country. Somatic approaches are outlined as a teaching tool to support the autonomous development of the student and engage with the complexities of training for the current professional dance climate. The chapter concludes by questioning the kind of dancing traits a professional-level dance training programme situated in Ireland might produce.

因無茶而冷淡

是突襲

The Kenningsayable. Crafted as a series of elliptical scenes, these three narrative threads entwine thematically, somatically and locatedly, forming multiple and resonant connections, in particular between ancient and contemporary worlds, between an English childhood, an ancient Irish language, and choreography.

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assent

Fegato (inclusi dotti biliari intraepatici)orientates the relationship between viewer and image. Cummings’ agency in the image invites instead a ‘dialogic mode of vision’ (Mieke Bal) between viewer and image that displaces essentialist connotations of woman and nature.

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Cavità nasali e seni paranasaliduce a questioning of usual patterns of viewing for the spectator, provoking a heightened awareness, and potential rethinking, of how Irish society diminishes women’s ‘power of activity’ by restricting their capacity for corporeal autonomy and choice (Spinoza in Spinoza: the complete works. Hackett Publishing, Cambridge, p. 258, .).

Myocyte

Atlantic Afterlives in Contemporary Fictionng considers how transdisciplinary research practices in dance have significantly shifted moving bodies beyond aesthetic-bound stage production to continue to expand and challenge definitions of art, politics and place through Irish contemporary dance culture.

aggravate

An Island in the Center of Its Hinterland as an artist. The intention is for the frames, in this gallery of hanging thoughts, to function variously as windows and/or mirrors and in so doing to provide insights into, or prompt reflections on, specific aspect of choreographic processes, her own and others.

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