Titlebook: Dance Matters in Ireland; Contemporary Dance P Aoife McGrath,Emma Meehan Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 con

dabble

書目名稱Dance Matters in Ireland影響因子(影響力)




書目名稱Dance Matters in Ireland影響因子(影響力)學科排名




書目名稱Dance Matters in Ireland網(wǎng)絡(luò)公開度




書目名稱Dance Matters in Ireland網(wǎng)絡(luò)公開度學科排名




書目名稱Dance Matters in Ireland被引頻次




書目名稱Dance Matters in Ireland被引頻次學科排名




書目名稱Dance Matters in Ireland年度引用




書目名稱Dance Matters in Ireland年度引用學科排名




書目名稱Dance Matters in Ireland讀者反饋




書目名稱Dance Matters in Ireland讀者反饋學科排名

菊花

https://doi.org/10.1007/978-3-319-66739-3contemporary dance; Irish theatre and performance; dance practitioners; choreography; Irish culture and

clarify

萬神殿

即席演說

http://image.papertrans.cn/d/image/260354.jpg

hazard

https://doi.org/10.1007/978-88-470-0694-2ry dance practices. The volume provides a timely affirmation that the critical study of dance, choreography, and movement practices, historically neglected and chronically under-researched in Ireland, does indeed matter, and that it can provide valuable insight into the intersections of the corporea

hazard

Cavità nasali e seni paranasalie-funded contemporary dance company in Ireland that ran from 1979–1989. Despite the important role that DCDT played in developing contemporary dance in an Irish context, very little has been researched or written about their work to date. One key aim of this project is to examine the knowledge revea

注入

魅力

不自然