Titlebook: D.H. Lawrence, Music and Modernism; Susan Reid Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence to Sprin

Neolithic

,“Beyond the Sound of Words”: Harmony and Polyphony in ,resented by Gerald Crich’s Wagnerian concept of harmony and Birkin’s more ethical polyphony. Gerald’s characterisation as doomed victim of an industrial society in love with war and death is compared with Arnold Bax’s use of Wagner’s “sick Tristan” motif in .. The composers Philip Heseltine and Ceci

Aboveboard

,Music, Noise, and the First World War: “All of Us”, , and ,hallenge the extent to which music could continue to offer consolation in a shatteringly noisy, war-torn world. In “All of Us”, the militaristic imperialism of Verdi’s . depicted in . is counterpointed by translations of the songs of the Egyptian fellaheen (labourers). Analysis of the war poems of .

Meander