Titlebook: D.H. Lawrence, Music and Modernism; Susan Reid Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licence to Sprin

incredulity

,“The Insidious Mastery of Song”: Cadence and Decadence in the Early Poems,is poem “Piano” suggests Charles Baudelaire, A.C. Swinburne, and Thomas Hardy as important forebears in forging a poetics that also helped to shape a musical prose. Like his contemporaries, Ezra Pound and W.B. Yeats, Lawrence’s modernist cadences were formed through what Vincent Sherry usefully frames as a “reinvention of decadence”.

恫嚇

錢財(cái)

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,Music, Noise, and the First World War: “All of Us”, , and , (1920) suggests thematic and structural interests in song and silence that resonate with Debussy’s muted response to the war, and also with the loose-knit structure and themes of Schubert’s ., including the notions of wintering and fragmentation that helped to shape ..

自戀

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事與愿違

2946-5133 luenced by music.Explores both Lawrence’s musical interests .This first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism.

fibula

G. Berlot,A. Tomasini,M. Maffessantiew literary forms that anticipated the blending of the arts in modernism. His breakthrough to a mature style is related here to explorations of rhythm suggested by the Chladni patterns of sound waves made visible in sand, an acoustic and musical model of importance for Lawrence and his contemporaries that resonates throughout this book.

終止

J.-L. Vincent,P. van der Lindenis poem “Piano” suggests Charles Baudelaire, A.C. Swinburne, and Thomas Hardy as important forebears in forging a poetics that also helped to shape a musical prose. Like his contemporaries, Ezra Pound and W.B. Yeats, Lawrence’s modernist cadences were formed through what Vincent Sherry usefully frames as a “reinvention of decadence”.

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Applied Cardiovascular Physiologyng parallels with Nietzsche’s attack on Wagnerian decadence. In ., Lawrence knowingly courted a discourse of decadence and his own experiments with leitmotif in this novel can be seen to reach towards a modernist musicality that incorporates diverse influences, including Debussy’s ..