Titlebook: Cultural Policy, Innovation and the Creative Economy; Creative Collaborati Morag Shiach,Tarek Virani Book 2017 The Editor(s) (if applicable

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Conclusion and Future Directions,at were developed within and funded by Creativeworks London’s Creative Voucher scheme, which has been a central element of its research and knowledge exchange activities undertaken over the past four years (2012–2016). This scheme enabled SMEs in London’s creative sector to develop short-term, colla

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Conclusion and Future Directions, via mobile devices has been increasingly recognised across the arts and humanities, particularly in relation to social and cultural history, memory, heritage and identity. Furthermore, the wealth of technological research and development being undertaken clearly represents an important opportunity

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News-Mediated Narratives of Disappearance,iths Digital project. The initial project preceded approximately 40 further collaborations, leading to a high number of innovation outcomes, and further funded research with organisations such as Heart n Soul and many others including Google and Microsoft. Goldsmiths College as a whole has been huge

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News-Mediated Narratives of Disappearance,sity of the Arts London, Central Saint Martins’ MA Narrative Environments Department. This chapter outlines the collaborative journey that we went through. It is structured in a way that highlights the steps and unforeseen stages of the journey; from project preparation to our conclusions and arrive

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,Virginie Ancelot’s Comedy for Women,o are allowed considerable freedom to generate new ideas and pursue their own projects; at the same time, both are increasingly responsive to wider public agendas and commercial imperatives which require them to think strategically about how they are distinctive and to prove their worth in the conte

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