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Titlebook: Cultural Policy, Innovation and the Creative Economy; Creative Collaborati Morag Shiach,Tarek Virani Book 2017 The Editor(s) (if applicable

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發(fā)表于 2025-3-21 16:13:43 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Cultural Policy, Innovation and the Creative Economy
副標(biāo)題Creative Collaborati
編輯Morag Shiach,Tarek Virani
視頻videohttp://file.papertrans.cn/241/240870/240870.mp4
概述Addresses the timely issue of creative research collaboration between researchers and the complex ecology of the cultural economy.Focusses on the Creative Voucher Scheme developed by Creativeworks Lon
圖書封面Titlebook: Cultural Policy, Innovation and the Creative Economy; Creative Collaborati Morag Shiach,Tarek Virani Book 2017 The Editor(s) (if applicable
描述This book develops important new insights into the conditions that enable effective collaborations between arts and humanities researchers and SMEs in the creative economy. Drawing on the work of Creativeworks London, an AHRC-funded Knowledge Exchange Hub for the Creative Economy, this is an in-depth study of how co-created and collaborative research projects work on the ground and will be of immense value to all these audiences. Chapters by researchers and practitioners examine a range of collaborative research projects supported by Creativeworks London’s vouchers, which cover a large number of creative industry sectors and academic disciplines. The book identifies key learning from these projects that has wider relevance for academics, funders, policy makers, and SMEs in the creative economy..?.Morag Shiach is Professor of Cultural history at Queen Mary University of London, UK, where she is also Director of Creativeworks London and Vice-Principal for Humanities and Social Sciences. Her publications include Modernism, Labour and Selfhood in British Literature and Culture; Feminism and Cultural Studies; Hélène Cixous: A Politics of Writing; and Discourse on Popular Culture..?.Dr.
出版日期Book 2017
關(guān)鍵詞Co-creation; Knowledge exchange; Higher education; Innovation; Collaboration; British Politics
版次1
doihttps://doi.org/10.1057/978-1-349-95112-3
isbn_softcover978-1-349-95731-6
isbn_ebook978-1-349-95112-3
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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Bringing the Past into the Present: Mobilising Historical Research Through Creative and Digital Col via mobile devices has been increasingly recognised across the arts and humanities, particularly in relation to social and cultural history, memory, heritage and identity. Furthermore, the wealth of technological research and development being undertaken clearly represents an important opportunity
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Consumer as Producer; Value Mechanics in Digital Transformation Design Process, Practice and Outcomon afforded by digital media. The advantages to undertaking practice-based academic research with a commercial partner are that the company receives support for research and development activities that they may not otherwise be able to undertake and the University can demonstrate the impact of their
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Goldsmiths Digital: Research and Innovation in the Creative Economy,iths Digital project. The initial project preceded approximately 40 further collaborations, leading to a high number of innovation outcomes, and further funded research with organisations such as Heart n Soul and many others including Google and Microsoft. Goldsmiths College as a whole has been huge
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The BeatWoven Project,pyright law, such a process of creation might prove contestable where no authorisation from the right holder in the musical piece at issue has been obtained. As discussed in this chapter in further detail, the process at issue concerns a textile designer who is utilising another person’s work in his
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