Titlebook: Cultural Governance and the European Union; Protecting and Promo Evangelia Psychogiopoulou Book 2015 The Editor(s) (if applicable) and The

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,‘Emergent Classes’ and Sicheng Society,pect of PSM largely refers to a process of unification around a nation, language and/or culture, the diversity aspect is centrally concerned with the task of reflecting the ever increasing fragmentation within nation states on the one hand and the diversity of cultures globally on the other.

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New Factory Women in Time and Space,tion of the cultural and creative sectors, or industries, to Europe’s changing economic environment and to the implementation of the EU 2020 strategy for smart, sustainable and inclusive growth (European Commission, 2010a; Council of the EU (Council), 2011a).

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,‘Emergent Classes’ and Sicheng Society,justice and cohesion because of the influence of cultural capital on cultural classifications and on social mobility (Bennett et al., 2008; Lahire, 2008: 166; Peterson, 1992, 2005). Access to culture is far from being only a mere aspirational good; it appears, on the contrary, to be necessary for the existence of a vivid democracy.

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The Creative Europe Programme: Policy-Making Dynamics and Outcomestion of the cultural and creative sectors, or industries, to Europe’s changing economic environment and to the implementation of the EU 2020 strategy for smart, sustainable and inclusive growth (European Commission, 2010a; Council of the EU (Council), 2011a).

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New Factory Women in Time and Space,a key element in the definition process of regional, national and European identities. With the launch of the ‘creativity frame’, a clear paradigmatic change took place and economic concerns became the core of the justification for the EU’s cultural policy. This chapter explains the drive behind thi

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,‘Emergent Classes’ and Sicheng Society,promotion of Europe’s cultural diversity. The third section points out that corporate interests evidently prevailed over the objective to protect the interests of individual creators, whose contribution is crucial for the production of diverse cultural content. The fourth section focuses on the legi