Titlebook: Cultural Governance and the European Union; Protecting and Promo Evangelia Psychogiopoulou Book 2015 The Editor(s) (if applicable) and The

一致性

脫水

Introductionemit for the development of a cultural policy, reflected in Article 167 of the Treaty on the Functioning of the European Union (TFEU), in recognition of member states’ preponderant role in the field, should not hide from view an array of EU policies that are not meant to be about culture yet touch u

SOBER

The Cultural Logic of Economic Integratione Second World War. But if the immediate goals were expressly economic and developmental, the long-term ones were also cultural and political. Economic integration was seen as the ‘leaven from which will grow a wider and deeper community between countries long opposed to one another by sanguinary di

Vulnerary

衣服

Thyroid-Gland

The Creative Europe Programme: Policy-Making Dynamics and Outcomes set three specific objectives that should guide the EU cultural policy forward: promotion of cultural diversity and intercultural dialogue; promotion of culture as a catalyst for creativity; and promotion of culture as a vital element in the Union’s international relations (European Commission, 200

Cursory

The Protection of National Treasures in the EU Single Marketmall number of them are ever returned (European Parliament, 2014). Art theft and trade of stolen art are growing and they are often linked with organised crime. The creation of a single, borderless market has been the indisputable cornerstone of European integration. The abolition of physical checks

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一個(gè)攪動(dòng)不安

樹(shù)膠

Digital Rights Management and Rights Licensing in the Online Music Sector: A Case for Cultural Divers to digital content online in general and music works in particular has generated a heated debate at the European Union (EU) level over copyright management. Accounting for this has been the longstanding territorial structure of copyright, that is, the practice of clearing rights for the lawful use