Titlebook: Cultural Economics; Ruth Towse,Abdul Khakee Conference proceedings 1992 Springer-Verlag Berlin Heidelberg 1992 Cultural policiy.Import.Int

infatuation

Vicente Pinilla,María-Isabel AyudaPrivate and public expenditures for the arts have been growing at an accelerating pace over the past 40 years in all developed societies. What is the nature of the phenomenon? Is the “culture boom” just a current fad or is it here to stay? In this paper I want to argue that it is here to stay.

Aggressive

無(wú)節(jié)奏

Problems of Planning Cultural Programs under Endogenous TastesThis paper highlights some of the difficulties involved in plannung cultural output. It begins with the economist’s usual premise that the purpose of a plan is to produce an optimal outcome.

極為憤怒

Auction of Works of ArtIn his paper “How Auctions Work for Wine and Art” (1989), Orley Ashenfelter shows how auctioneers provide genuine expertise in predicting prices of art at auction. Using material from British and American auctions of impressionist paintings, he is able to show a high correlation of price estimates and prices actually obtained.

Wernickes-area

FUSC

insecticide

Museum Visitor Surveys: An Overview, 1930–1990in fact, have a long tradition of watching visitors. Earlier observers were content with counting noseprints on the glass, checking wear on the carpet, or simply watching the visitors. Since 1930, however, museum professionals have conducted formal surveys of their audience.

社團(tuán)

Who Is the Other Woman? An Introductionn attempt to view cultural economics as a field of applied economics. In the past, the proceedings of International Conferences of the Association for Cultural Economics have been published ., all the papers being included whatever their merit or orientation. Here a selection has been mainly of pape

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爭(zhēng)議的蘋(píng)果