Titlebook: Cultural Economics; Ruth Towse,Abdul Khakee Conference proceedings 1992 Springer-Verlag Berlin Heidelberg 1992 Cultural policiy.Import.Int

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Conference proceedings 1992ics incultural economics. It contains original papers byeconomists workingin the field from 15 different countriesand covers a host of boththeoretical and practical issues,covering the performing arts, arts marketsand museums. Itrepresents an up-to-date statement of the application ofeconomic ideas to cultural questions.

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Introductionn attempt to view cultural economics as a field of applied economics. In the past, the proceedings of International Conferences of the Association for Cultural Economics have been published ., all the papers being included whatever their merit or orientation. Here a selection has been mainly of pape

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The Rationale for Public Funding of a National Museumpublic funding of museums, attention is invariably fixed on other aspects of government funding. Public concern is frequently voiced over a range of issues such as the level of public funding to museums, the funding of particular institutions, the acquisitions policies of publicly-funded museums and

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The Wexford Opera Festival: A Case for Public Funding?ometres south of Dublin. During that period three rarely-performed operas are staged on five occasions each. About one-quarter of the income of the Festival comes directly from the state via the Arts Council and there is also a significant indirect subsidy via the provision of the services, free of

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Some Unanswered Questions in the Economics of Art unsatisfactory. First is the existential question of why is there art instead of no art. Second is the question of what is art. Is it a decoration, a commodity, an asset or an investment good? Is art a public good, the national patrimony? This is the question of why rational consumers appear to acq

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