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Titlebook: Creating Digitally; Shifting Boundaries: Anthony L. Brooks Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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發(fā)表于 2025-3-28 15:49:35 | 只看該作者
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發(fā)表于 2025-3-28 18:51:44 | 只看該作者
rpieces and their entwined compositional theatrical strategies. In referring to the structure of a theatrical script in a text in 3 Acts, I am also suggesting a backdrop to my own work Vanitas book series (Figs.?., ., ., ., . and .) further discussed in the coda of this paper.
43#
發(fā)表于 2025-3-29 00:24:09 | 只看該作者
Anthony L. BrooksPresents recent research on the interweaving of arts and digital technologies.Focuses on many contemporary fields, including interaction design, game creation, VR, and AR development.Includes contribu
44#
發(fā)表于 2025-3-29 05:00:05 | 只看該作者
Intelligent Systems Reference Libraryhttp://image.papertrans.cn/c/image/239364.jpg
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發(fā)表于 2025-3-29 10:11:38 | 只看該作者
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發(fā)表于 2025-3-29 12:38:08 | 只看該作者
https://doi.org/10.1007/978-3-031-31360-8Creativity; Digital Technologies; Arts; Games; Interactivity; Design
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發(fā)表于 2025-3-29 19:01:32 | 只看該作者
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發(fā)表于 2025-3-29 21:50:15 | 只看該作者
ia art shapes . and illustrate strategies of interactivity with and without the use of .. Their . works (Peter Weibel, 2012) each reveal new aspects of the digital. Since the late 1980s they have been realizing these works as artist-scientists in research institutions, where they created their own s
49#
發(fā)表于 2025-3-30 03:01:09 | 只看該作者
rpieces and their entwined compositional theatrical strategies. In referring to the structure of a theatrical script in a text in 3 Acts, I am also suggesting a backdrop to my own work Vanitas book series (Figs.?., ., ., ., . and .) further discussed in the coda of this paper.
50#
發(fā)表于 2025-3-30 06:58:22 | 只看該作者
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