Titlebook: Contemporary Latin American Cinema; Resisting Neoliberal Claudia Sandberg,Carolina Rocha Book 2018 The Editor(s) (if applicable) and The Au

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Larraín’s ,: A Tale of Neoliberalism an ambiguous and complex relationship with neoliberalism, which highlights the contradictory nature of the Chilean field of film production as it has been increasingly professionalized and internationalized under the logics of late capitalism.

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Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín landscapes, and by imitating genres rooted in the commercial culture industry. It is with respect to Larraín’s films’ self-positioning as both social critique and aesthetic rupture that we may refer to them as comprising a macabre baroque cinema.

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Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argees. With reference to the shorts . (2006), . (2006) and the feature film . (2012), the author argues that Schonfeld’s filmmaking is an act of resistance to the loss of community-based living and working structures in rural environments.

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