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Titlebook: Contemporary Latin American Cinema; Resisting Neoliberal Claudia Sandberg,Carolina Rocha Book 2018 The Editor(s) (if applicable) and The Au

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發(fā)表于 2025-3-21 18:03:02 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Contemporary Latin American Cinema
副標題Resisting Neoliberal
編輯Claudia Sandberg,Carolina Rocha
視頻videohttp://file.papertrans.cn/237/236572/236572.mp4
概述The first volume to examine the relation between Latin American film and neoliberalism in a comprehensive form.Includes investigations from emerging and eminent film scholars from a global context as
圖書封面Titlebook: Contemporary Latin American Cinema; Resisting Neoliberal Claudia Sandberg,Carolina Rocha Book 2018 The Editor(s) (if applicable) and The Au
描述.Contemporary Latin American Cinema. investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives. The collection examines the relationship between economic policies and the films that depict recent transformations in many Latin American countries, demonstrating how contemporary Latin American film has not only criticized and resisted, but also benefitted from neoliberal advancements. Based on films produced in Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico and Peru since 2010, the fourteen case studies illustrate neoliberalism’s effects, from big industries to small national cinemas. It also shows the new types of producers that have emerged, and the novel patterns of distribution, exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, thisbook establishes an informative and accessible text for scholars and students alike..
出版日期Book 2018
關鍵詞National Film Industry; Latin American Film; Neoliberalism; Austerity; Globalization; latin american poli
版次1
doihttps://doi.org/10.1007/978-3-319-77010-9
isbn_softcover978-3-030-08347-2
isbn_ebook978-3-319-77010-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
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978-3-030-08347-2The Editor(s) (if applicable) and The Author(s) 2018
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https://doi.org/10.1007/BFb0100180 contemporary Mexican and Brazilian cinemas. By focusing on . (Jameson), the combined analysis of . (2012) and . (2015) sheds new light on a broad contemporary transformation in Mexican and Brazilian filmmaking towards a focus on the middle class. This study complements previous analyses that emphas
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uniqueness in finite dimensions,hat caters exclusively to the economic elites, following the logic of economic optimization and foregoing any attempt at a cinematic project rooted in national culture. The author analyzes Alonso Ruizpalacios’ . (2014) as an interesting case study illustrating the difficulties of trying to resist ne
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I. Fiebrig,S. E. Harding,S. S. Davis of film production. Accused of being both reactionary and a piece of left-wing propaganda, the film motivated an unprecedented public debate about the experience of neoliberalism in Chile and its relation to film production. This chapter explores this national reception, considering the film’s cond
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